{"id":15,"date":"2022-03-21T19:21:28","date_gmt":"2022-03-21T19:21:28","guid":{"rendered":"https:\/\/www.arthistorian.hu\/editandras\/?page_id=15"},"modified":"2024-09-17T05:14:04","modified_gmt":"2024-09-17T05:14:04","slug":"teaching","status":"publish","type":"page","link":"https:\/\/www.arthistorian.hu\/editandras\/teaching\/","title":{"rendered":"Teaching"},"content":{"rendered":"\n
2022-24
\"\"<\/td>		Co-leader with Magdalena Radomska and faculty-member of the travelling seminar-series Understanding 1989 in East- Central European Art. War vs. Revolution<\/em> led by the Piotr Piotrowski Center for Research on East-Central European Art at Adam Mickiewicz University in Pozna\u0144, supported by the Getty Foundation as part of its Connecting Art Histories initiative
<\/strong>http:\/\/understanding1989.amu.edu.pl\/<\/a><\/td><\/tr>
2019-22<\/td>Faculty member of the seminar series Periodization<\/em> led by Anca Oroveanu at New Europe College, Bucharest, supported by the Getty Foundation as part of its Connecting Art Histories initiative<\/td><\/tr>
2016-21<\/td>The Artist as an Agent of History. From Symbolic Politics to Visual Activism<\/em> course; CEU \/ Central European University, Budapest, History Department<\/td><\/tr>
2021<\/td>Close Encounters of the Third Kind: The Invasion of the Sate to the Hungarian Art Scene<\/em>; Guest lecturer, Institute f\u00fcr Kunstgeschischte, Universitat Wien, 2021, Oct. 10\u201312.<\/td><\/tr>
2019<\/td>(Post)Socialism, (Post)Colonialism, Decoloniality<\/em> course; Academy of Fine Arts, Bratislava, Slovakia, 2019. <\/td><\/tr>
<\/td>The Future in Behind us, the Past is Ahead of us<\/em> lecture; Master\u2019s Programme in Curatorial Studies, Faculty of Fine Art, Music and Design, University Bergen, Norway. Budapest, 2019. <\/td><\/tr>
2017<\/td>Flagging the Nation in Post-Socialist Countries <\/em>lecture; Graduate School, CUNY State University at New York, 2017.<\/td><\/tr>
2013<\/td>Art Theory Reading Seminar<\/em> course; Open Studio\u201d. Intermedia and Multimedia Department, Academy of Fine Arts and Design, Bratislava, 2013, March 18\u201322.<\/td><\/tr>
2012<\/td>East-Central European art and theory<\/em> course; Doctoral School of New Europe College, Institute for Advance Study, Bucharest and the Art History Department of Bucharest University, 2012, March 19\u201321.<\/td><\/tr>
2011<\/td>The Fragile Pedestal: First Trieste Contemporanea Seminar on Art History<\/em>; Trieste Contemporanea. (Tutor), Trieste, 2011, June 3\u20134.<\/td><\/tr>
2010<\/td>Video Art in Central and Eastern Europe 1989\u20132009<\/em> graduate course; P\u00e1zm\u00e1ny P\u00e9ter University, Pilisv\u00f6r\u00f6sv\u00e1r, Hungary, 2019.<\/td><\/tr>
2009<\/td>Writing in the Humanities after the Fall of Communism<\/em>; Faculty member in the Summer School of CEU, Central European University, Budapest, 2009.  (link1)<\/a> (link2)<\/a><\/td><\/tr>
<\/td>Cultural Trauma and Coping with it through Art<\/em>. Invited lecturer at Estonian Academy of Arts, Tallinn, Estonia, 2009.<\/td><\/tr>
<\/td>Art on the Ruins of Utopias<\/em>. Invited lecturer, Academie of Fine Arts, Bratislava, 2009<\/td><\/tr>
2008-09<\/td>Old Traumas, New Conflicts in the Culture of New Europe joint-courses with Hedvig Turai; Education Abroad Program of University of California, Budapest Study Center, Hungary<\/td><\/tr>
2008<\/td>Writing Central European Art History.<\/em> Invited lecturer of the Patterns_Travelling Lecture Set organized by World University Service (WUS) Austria: Adam Mickiewicz University, Poznan (Poland); University of Belgrade (Serbia); Academy of Fine Arts, Vienna (Austria); Babes-Bolyai University, Cluj-Napoca (Romania), 2008.  (link)<\/a><\/td><\/tr>
<\/td>Contemporary Art, Contemporary Theory<\/em> lecture series; DLA School, University of Applied Arts, Budapest, 2008<\/td><\/tr>
2003-07<\/td>Memory, Memorial, Monuments. Art and Culture in the Central and Eastern European Region and in Russia<\/em> joint courses with Hedvig Turai; Education Abroad Program of University of California, Budapest Study Center, Hungary, 2003\u201307.<\/td><\/tr>
2003-05<\/td>Contemporary Art and Theory in the Postsocialist Countries<\/em> courses; Graduate School, Department of Art History, E\u00f6tv\u00f6s Lor\u00e1nd University, Budapest, 2003\u201305.<\/td><\/tr>
2005<\/td>20th Century Western Art<\/em> survey course; Department of Art History of P\u00e1zm\u00e1ny P\u00e9ter University, Hungary, 2005.<\/td><\/tr>
2002<\/td>Art and Art Theory after the Wall: Difficulties of Tradition in Eastern-Central Europe at the End of the 20th Century<\/em>. Lecturer at summer course ‘From Art History to Visual Culture: Studying the Visual after the Cultural Turn’, CEU, Central European University, Budapest, Hungary, 2002.<\/td><\/tr>
1996-97<\/td>19th and 20th Century Art in Hungary<\/em> courses; aCIEE Council on International Educational Exchange for American Exchange Students, Budapest, Hungary, 1996\u201397.<\/td><\/tr>
1992-95<\/td>Contemporary Art, Contemporary Theory<\/em> courses; Graduate School, University of Applied Arts, Budapest, 1992\u201395.<\/td><\/tr>
1993-95 <\/td>Modern and Contemporary American Culture<\/em> courses; Department of Art History, Department of American Studies, E\u00f6tv\u00f6s Lor\u00e1nd University, Budapest, 1993\u201395.<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

2022-24 Co-leader with Magdalena Radomska and faculty-member of the travelling seminar-series Understanding 1989 in East- Central European Art. War vs. Revolution led by the Piotr Piotrowski Center for Research on East-Central European Art at Adam Mickiewicz University in Pozna\u0144, supported by the Getty Foundation as part of its Connecting Art Histories initiative http:\/\/understanding1989.amu.edu.pl\/ 2019-22 Faculty […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":7,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":576,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages\/15\/revisions\/576"}],"wp:attachment":[{"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}