{"id":247,"date":"2022-03-24T16:08:13","date_gmt":"2022-03-24T16:08:13","guid":{"rendered":"https:\/\/www.arthistorian.hu\/editandras\/?page_id=247"},"modified":"2022-03-24T17:17:53","modified_gmt":"2022-03-24T17:17:53","slug":"edited-books","status":"publish","type":"page","link":"https:\/\/www.arthistorian.hu\/editandras\/publications\/edited-books\/","title":{"rendered":"Edited books"},"content":{"rendered":"\n<figure class=\"wp-block-table is-style-stripes\"><table><tbody><tr><td><\/td><td><\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Elhallgatva. A h\u00e1bor\u00fas er<\/em>\u0151sz<em>ak t\u00f6rt\u00e9nete \u00e9s megjelen\u00edt\u00e9se.<\/em> [<em>Silenced. The History and Representation of Violence in Wartime<\/em>.] Budapest: Budapest F\u0151v\u00e1ros lev\u00e9lt\u00e1ra \/ Budapest City Archive, 2022. Co-edited with J\u00f3zsef M\u00e9lyi and Andrea Pet\u0151.<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Dilemma. Three Central-European Versions of Ilona N\u00e9meth\u2019s exhibition\/N\u00e9meth Ilona ki\u00e1ll\u00edt\u00e1s\u00e1nak h\u00e1rom k\u00f6z\u00e9p-eur\u00f3pai v\u00e1ltozata\/Tri stredoeur\u00f3pske varianty vystavy Ilony N\u00e9meth.<\/em>&nbsp;Kalligram, Bratislava, 2013&nbsp;&nbsp;<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Transitland. Video Art from Central and Eastern Europe 1989-2009.<\/em>&nbsp;Budapest: Ludwig Museum of Contemporary Art, 2009<br>&nbsp;&nbsp;&nbsp;&nbsp;<a rel=\"noreferrer noopener\" href=\"07_pic04.htm\" target=\"_blank\">(view cover)<\/a><\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Art Treasures in the Palace of the Hungarian Academy of Sciences.<\/em>&nbsp; Budapest: MTA MKI and Hungarian Pictures, 2006. Co-edited with \u00c9va Bicskei.<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Angyalokra sz\u00fcks\u00e9g van. Tanulm\u00e1nyok Bern\u00e1th M\u00e1ria tisztelet\u00e9re. [Angels Needed. Festschrift for Art historian M\u00e1ria Bern\u00e1th<\/em>].&nbsp;Budapest: Research Institute for Art History of the Hungarian Academy of Sciences, 2005. [in Hungarian]&nbsp;<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Tapestry 2. Metamorphoses. Art of Woven Tapestry Past and Present,<\/em>&nbsp;[catalog] Budapest: Museum of Fine Arts and Association of Hungarian Tapestry Artists, 2005.<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>George Peck. Layered Time, Layered Paint.<\/em>&nbsp;[catalog.] Budapest: Municipal Picture Gallery, 2002. Co-edited with Jonathan Goodman.<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Tapestry. International Millenial Contemporary Exhibition.<\/em>&nbsp;[exh. cat.] Budapest: Museum of Fine Arts and Association of Hungarian Tapestry Artists, 2001&nbsp;<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Selection of Letters of the Artists from Nagyb\u00e1nya Colony. Documents of the Nagyb\u00e1nya Colony. (V\u00e1logat\u00e1s a nagyb\u00e1nyai m\u0171v\u00e9szek leveleib\u0151l 1893-1944. Dokumentumok a nagyb\u00e1nyai m\u0171v\u00e9sztelep t\u00f6rt\u00e9net\u00e9b\u0151l.) II.<\/em>&nbsp;Co-edited with M\u00e1ria Bern\u00e1th. Miskolc: MissionArt Gal\u00e9ria, 1997.<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>Water-ordeal.<\/em>&nbsp;[catalog] Co-edited with G\u00e1bor And\u00adr\u00e1si. Budapest: \u00d3budai T\u00e1rsask\u00f6r, 1996&nbsp;&nbsp;<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\"><em>The Art of Historicism in Hungary. Essays on Art History ( A historizmus m\u0171v\u00e9szete Magyarorsz\u00e1gon. M\u0171v\u00e9szett\u00f6rt\u00e9neti tanulm\u00e1nyok)<\/em>&nbsp;Anna Z\u00e1dor (ed.) Co. edited with M\u00e1ria Bern\u00e1th. Budapest: Research Institute for Art History of Hungarian Academy of Sciences, 1993.&nbsp;<\/td><\/tr><tr><td>&nbsp;<\/td><td>&nbsp;<\/td><td class=\"has-text-align-left\" data-align=\"left\">Larissa Zhadova,\u00a0<em>Tatlin.<\/em>\u00a0Budapest: Corvina Publishing House, 1984.\u00a0 <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elhallgatva. A h\u00e1bor\u00fas er\u0151szak t\u00f6rt\u00e9nete \u00e9s megjelen\u00edt\u00e9se. [Silenced. The History and Representation of Violence in Wartime.] Budapest: Budapest F\u0151v\u00e1ros lev\u00e9lt\u00e1ra \/ Budapest City Archive, 2022. Co-edited with J\u00f3zsef M\u00e9lyi and Andrea Pet\u0151. &nbsp; &nbsp; Dilemma. Three Central-European Versions of Ilona N\u00e9meth\u2019s exhibition\/N\u00e9meth Ilona ki\u00e1ll\u00edt\u00e1s\u00e1nak h\u00e1rom k\u00f6z\u00e9p-eur\u00f3pai v\u00e1ltozata\/Tri stredoeur\u00f3pske varianty vystavy Ilony N\u00e9meth.&nbsp;Kalligram, Bratislava, 2013&nbsp;&nbsp; &nbsp; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":29,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-247","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages\/247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/comments?post=247"}],"version-history":[{"count":2,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages\/247\/revisions"}],"predecessor-version":[{"id":253,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages\/247\/revisions\/253"}],"up":[{"embeddable":true,"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/pages\/29"}],"wp:attachment":[{"href":"https:\/\/www.arthistorian.hu\/editandras\/wp-json\/wp\/v2\/media?parent=247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}