| 2021 | “A Counter-Monument to Female Victims of Wartime Rape: An Interview with Edit András by Susan Snodgrass.” Artmargins online, special issue (12/07/2021) https://artmargins.com/a-counter-monument-to-female-victims-of-wartime-rape-an-interview-with-edit-andras/ | |
| 2020 | The Obscure Object of Desire: Is there any place for Eastern Europe on the Map of World Art or Global Art (History)? Mezosfera.org, August 2020, http://mezosfera.org/the-obscure-object-of-desire/ | |
| 2018 | “Von de Zukunft der Vergangenheit Künstlerisches Fortschrittsdenken und der Traum von einer aufgeklärten Gesellschaft.” Springerin, no.4. (2018) 44–47. / “From the Past’s Future to the Present: Dreaming of an Enlightened Society.” Springerin, no. 4. (2018) https://www.springerin.at/en/2018/4/von-der-zukunft-der-vergangenheit/ | |
| „Man kann nicht zweimal in denselben Fluss steigen“– Freilich kann man das! Von der Verwandlung einer (post-)sozialistischen in eine autoritär-nationalistische und autokratische Kunstinstitution.” Springerin, no. 3. (2018) / “You Can’t Step Into the Same River Twice” – Sure Enough, You Can! Transformation from a (Post-)Socialist Institution of Art into an Illiberal-Nationalist, Autocratic One.” Springerin, no. 3. (2018) https://www.springerin.at/en/2018/3/man-kann-nicht-zweimal-in-denselben-fluss-steigen-freilich-kann-man-das/ | ||
| “An Evening with Chto Delat.” Springerin, no.1. (2018): 66–67. | ||
| 2017 | “Orientációváltások a közép-kelet-európai művészetelméletben 1989 után: Nemzeti, regionális vagy globális művészettörténet (a posztszocializmus, posztkolonializmus vagy dekolonialitás jegyében?) [Changes in Orientations in Central-Eastern European art theory: National, Regional or Global Art History Writing (in the Framework of Postsocialism, Postcolonialism or decoloniality?”] Ars Hungarica, no. 4. (2017): 395–406 | |
| “Renationalisierung in der ungarischen Kunst und Kultur.” Europaeische RundSchau: Vierteljahreszeitschift für Politik, Wirtschaft und Zeitgeschichte, 45. Jahrgang, no. 2. (2017): 85–94. | ||
| “On Building Nations: Budapest, Hungary. Szabolcs KissPál in conversation with Edit András.” IBRAAZ. Contemporary Visual Culture in North Africa and the Middle East, 010, no. 15. (June 2017) https://www.ibraaz.org/interviews/221 | ||
| “From the Coffee Grinder to Sputnik: The Culture of Objects and Woman in the service of Ideology”. Acta Historiae Artium, Tomus LVI, 297-306. | ||
| “Wer ist der Fremde, wer der Andere in der Postsoziaslistishen, Nationalistischen Ungarishen (Kunst-)Szene”? Springerin, Vienna, 2015/3. 28-35. | ||
| 2015 | “ImagiNaciones postsocialista Comunidades imaginados persolaes en le Europa Centrooriental: Private Nationalism Budapest.” Concreta, Valencia, (2015): 51–65. | |
| “Wer ist der Fremde, wer der Andere in der Postsoziaslistishen, Nationalistischen Ungarishen (Kunst-)Szene?” Springerin, no. 3. (2015): 28–35. / „’They are so very different from us’: Who is the Stranger, who is the Other in the post-Socialist Nationalist Hungarian (art)scene?” Springerin, no. 3. (2015) https://www.springerin.at/en/2015/3/sie-sind-so-anders-als-wir/ | ||
| 2014 | “Vigorous Flagging in the Heart of Europe: The Hungarian Homeland under the Right-Wing Regime.” E-flux journal, no. 57. (Sept. 2014) https://www.google.com/search?q=e-flux+Edit+Andras&oq=e-flux+Edit+Andras&aqs=chrome..69i57j69i61.6782j0j15&sourceid=chrome&ie=UTF-8 | |
| “Hungary‒A Post-Socialist Conflict Zone. A report from Hungary. The Brooklyn Rail. Critical Perspectives on Arts, Politics and Culture.” Special Issue on the State of Art Criticism in Europe, (May 2014) 66. https://brooklynrail.org/contributor/edit-andras | ||
| “Férfias nemzet, férfias háború, férfias művészet: Maszkulinitás és nacionalizmus (Kis Varsó: Lélekben tomboló háború).” [Masculine nation, masculine war, masculine art: Nationalism and Masculinity. (Little Warsaw: The Battle of Inner Truth)]” Ars Hungarica, no. 3. (2013): 318-333. | ||
| “Hungary in Focus: Conservative Politics and Its Impact on the Arts. Introduction.” A Forum. Artmargins Online, | ||
| “Provincializing the West: Interview with Piotr Piotrowski”, Artmargins online, 2012. | ||
| 2011 | “Wessen Nostalgie ist die Ostalgie? Eine Überblicksausstellung zur Kunst Osteuropas und der ehemaligen Sowjetrepubliken im New Museum, New York.” Springerin, no. 4. (2011): 54–7. / “Whose nostalgia is Ostalgia? An Eastern Europe and Former Soviet Republics survey exhibition in the New Museum, New York.” Springerin, no. 4. (2011) https://www.springerin.at/en/2011/4/wessen-nostalgie-ist-die-ostalgie/ | |
| “Călătorie îtrecut, în folosul prezentului.” Arta, no. 2-3. (2011):14-15. | ||
| “Positia fostului bloc estic în naile teorii critice si în practicile curatoriale recente / The ex-Eastern bloc’s position in the new critical theorial practice.” IDEA. artă + societate/ arts + society, no. 40. (2011): 79-95. | ||
| 2010 | (co-authored with Hedvig Turai) “Meta-Manifesta.” IDEA. artă + societate/ arts + society, no. 36-37. (2010) 97-106. | |
| “Public monuments in Changing Societies.” Ars (Journal of the Institute of Art History of Slovak Academy of Sciences, Bratislava), no. 43. (2010): 39-50. | ||
| “Focus issue Hungary. Artmargins takes a snapshot of the Hungarian Art Scene.” Guest edited with Allan Siegel and Hedvig Turai. Artmargins. Contemporary Central & East European Visual Culture. | ||
| “Interview with Gábor Andrási.” Artmargins. Contemporary Central & East European Visual Culture. | ||
| “Die Nationalismusfrage ist unausweiclich zur Künstlerishen Auseinandersetzung mit rechten Tendenzen in den ehemaligen Ostblockstaate am Beispiel Ungarns.” Springerin, no.3. (2010): 32–6. / “The Unavoidable Question of Nationalism.” Springerin, no.3. (2010) https://www.springerin.at/en/2010/3/die-nationalismusfrage-ist-unausweichlich/ | ||
| “Lineaarse kunstiajaloo aeg on otsas. Ungari kunstiteoreetiku ja –ajaloolasega Edit Andrásiga vestleb Reet Varblane.” SIRP. Eesti Kultuurleht, Tallinn, (May 28. 2010): 12-13. | ||
| “Tapestry from an Art Historian’s Point of View: A Personal Journey of Discovery.” Textileforum, no. 2. (2010): 24. | ||
| “Dog Eat Dog: Who is in charge of Controlling Art in the Post-Socialist Condition?” Third Text. Critical Perspectives on Contemporary Art & Culture. Socialist Eastern Europe. Special issue, edited Reuben Fowkes. Volume 23, no.1. (January 2010): 65−78. | ||
| 2008 | Co-authored with Hedvig Turai, “Manifestarea postpoliticului. Manifestations of the Post/Political.” Idea. Artă + societate / arts + society, (Cluj Napoca), no. 30−31, (2008): 129−137. | |
| “Nachwirkungen. Das Trauma der kollektiven Erinnerung an die sozialistische Vergangenheit.” Springerin, no. 3. (2008): 47–51. / “An agent still at work: The Trauma of Collective Memory of the Socialist Past.” Springerin, no. 3. (2008) https://www.springerin.at/en/2008/3/nachwirkungen/ | ||
| 2006 | “Was war zuerst da, das Huhn oder das Ei? Das gespannte Verhältnis der zeitgenössischen ungarischen Kunst zur Theorie.” Springerin, no. 2. (2006): … / “What came First, the Chicken or the Egg? Contemporary Art practice and Theory in Hungary.” Springerin, no. 2. (2006) https://www.springerin.at/en/2006/2/was-war-zuerst-da-das-huhn-oder-das-ei/ | |
| 2005 | “In und auserhalb von Budapest. Zu den Projekten des ungarishen Künstlerduos Little Warsaw.” Springerin, no. 2. (2005): 40–44. / “In and out of Budapest. The Projects of the Hungarian Artist Duo Little Warsaw.” Springerin, no. 2. (2005) https://www.springerin.at/en/2005/2/in-und-auerhalb-von-budapest/ | |
| 2004 | “Bursting the bubble of forgetting: Exhibition of Mária Berhidi, Mariann Imre and Ilona Lovas in the Institute of Contemporary Art.” Praesans, no.1. (2004): 54-69 | |
| 2003 | “The Curator as Seducer: Contemporary Polish (Women) Artists in New York.” Praesens [Budapest], no. 2. (2003): 10-19 . | |
| “The Vitality of Hungarian Tapestry.” International Tapestry Journal [Melbourne, Australia], no.1. (2003): 14-18. | ||
| “Dmitri V. Sarabianov and Natalia L. Adaskina: Popova.” [Book review] Acta Historiae Artium [Budapest], Hung. T. 35. | ||
| 1999 | “GenderMinefiled: The Heritage of the Past, Attitudes to Feminism in Eastern Europe.” n.paradoxa online, no. 11. (Oct. 1999): 4–9. https://www.ktpress.co.uk/pdf/nparadoxaissue11_Edit-Andras_4-9.pdf |